The liquify tool is known as the liquify filter. That can be used for artistic effects in Photo manipulation and Image retouching. The pixels of an image can rotate, pull, pucker, push, bloat and reflect. This tool makes images of people and products, particularly effective, which is great for you as a photographer who takes part in wedding and engagement days. As a photo editing service providers for professional photographers, we have that much knowledge about the use of adobe photoshop.
I can understand that how important your unique photography design is to your work. And I can also edit your pictures by using adobe photoshop. This is a DIY Tutorial, helping you to learn about the liquify tool in photoshop. When working with the Liquify tool, many keyboard shortcuts are easily accessible.
See a short list underneath the top:. In the Liquify filter dialog box, there are many tools. For more details to see a shortlist below:.
One of the first tools that can be important to know about from begins with the Forward Warp tool. First fix the brush size for control the pixels that you push. To fix the brush size, access the Brush Options on the right side of the toolbar. Learn about the next tool which name is Reconstruct Tool. In Adobe Photoshop, any distortion you apply to the picture is removed by the Reconstruct tool. The Twirl Clockwise tool is also another tool you may use to fix your images.
This tool rotates the pixels in the direction of the clock. To rotate the pixels like clockwise, you can drag and press on the picture. Puker Tool is a part of the Liquify filter dialog box. In the center of the brush area, the Pucker tool transfers the pixels. Drag the picture to move the pixels on the part of the center. The Bloat tool is an extremely useful tool that can be used in the Liquify filter dialog box for working on your wedding images. Drag onto the picture to move the pixels out of the middle.
The Push Left tool is the final option in the Liquify dialog box. As you move the tool up, the pixels are shifted to the left. When the tool is dragged down then pixels are moved to the left. There are many tool options in the dialog box that you can use based on your necessity. Also, if you hold Alt while dragging the mouse, it will just smooth out the effects instead of fully reconstructing the original.
If you need to smooth any hard edges in an image, this is the tool you need — e. Any sharp turns that should be curved can be fixed using the Smooth tool.
You can adjust the settings of the brush in the same way as the previous ones. This is pretty self-explanatory. Wherever you position this tool, the pixels will rotate in a clockwise direction while you hold the mouse button.
This gives you that creative Photoshop twist effect. Again, the brush properties can be adjusted in the panel. The Pucker tool creates a sort of black hole where everything on the edges will get pulled towards the center of the brush. As I mentioned, this is the opposite of the Pucker tool. While the Pucker tool draws the pixels inwards, Bloat pushes the pixels towards the outer edge, giving the illusion of bloating. With the Push Left tool, you can push the pixels to the left, but to do so, you have to click and drag up.
For example, if you want to retouch the subject without altering the background. You can adjust the brush settings in the properties panel, and you can modify the Mask options in its panel.
This will unblock anything that was protected by the Freeze Mask. The properties and options can be adjusted exactly like the others. The Face tool is the one that I was telling you about in the Introduction.
This is the latest development from the Photoshop Liquify filter. This tool automatically recognizes the face or faces in the image. Then, it separates the features forehead, eyes, nose, mouth, chin, etc.
As a portrait photo retoucher , you should be aware of the impact and influence of your work. Neither I nor the Shotkit team endorse unethical editing.
Anything I do in the following example is purely demonstrative of the capabilities of the tools and is not intended to offend or impose any aesthetic judgment. This is the way photographers did facial photo retouching for many years, before the introduction of the Face Tool. Some professionals still prefer it over the Face-Aware Tool because you have more freedom. Despite my advice to keep it realistic, I went completely the opposite and made an exaggerated retouch.
Sets the speed at which distortions are made when you drag a tool in the preview image. Sets the speed at which distortions are applied when you keep a tool such as the Twirl tool stationary in the preview image. The higher the setting, the greater the speed at which distortions are applied.
Stylus Pressure. Uses pressure readings from a stylus tablet. This option is available only when you are working with a stylus tablet. When selected, the brush pressure for the tools is the stylus pressure multiplied by the Brush Pressure value. If a type layer or a shape layer is selected, you must rasterize the layer before proceeding, making the type or shape editable by the Liquify filter.
To distort type without rasterizing the type layer, use the Warp options for the Type tool. Use the Reconstruct tool or Reconstruct Options to fully or partially reverse the changes. Hold down Alt Windows or Option Mac OS and click Reset to revert all distortions to the preview image and reset all options to their defaults.
You can also invert both frozen and thawed areas. By freezing areas of the preview image, you protect those areas from changes. Frozen areas are covered by a mask that you paint using the Freeze Mask tool.
You can also use an existing mask, selection, or transparency to freeze areas. You can view the mask in the preview image to help you apply distortions. Using the Freeze Mask tool. Select the Freeze Mask tool and drag over the area you want to protect. Shift-click to freeze in a straight line between the current point and the previously clicked point. Using an existing selection, mask, or transparency channel. This determines how areas of the preview image are frozen or masked.
Freezing all thawed areas. Inverting thawed and frozen areas. Showing or hiding frozen areas. Select or deselect Show Mask in the View Options area of the dialog box. Changing the color of frozen areas. When you have an existing selection, transparency, or mask in an image, that information is retained when the Liquify dialog box opens.
You can choose one of the following mask options:. Replace Selection. Add To Selection. Shows the mask in the original image, so that you can add to the selection using the Freeze Mask tool. Adds selected pixels in channel to the current frozen area. Subtract From Selection.
Intersect With Selection. Invert Selection. If a selection exists, the filter limits the preview and processing to the rectangular area containing that selection. For rectangular marquee selections, the selected area and preview are identical, so choosing Selection from the mask option menus above has no effect. Select the Thaw Mask tool , and drag over the area. Shift-click to thaw in a straight line between the current point and the previously clicked point.
Using a mesh helps you see and keep track of distortions. You can choose the size and color of a mesh, and save the mesh from one image and apply it to other images. To show a mesh, select Show Mesh in the View Options area of the dialog box, and choose a mesh size and mesh color. To save a distortion mesh, after distorting the preview image, click Save Mesh. Specify a name and location for the mesh file, and click Save.
To apply a saved distortion mesh, click Load Mesh, select the mesh file you want to apply, and click Open. Creative Cloud Meshes are automatically saved in your document. Meshes applied to Smart Objects are compressed and re-editable. You can choose to show only the active layer in the preview image, or you can show additional layers in the preview image as a backdrop. Using the Mode options, you can position the backdrop in front of or behind the active layer to keep track of your changes, or to line up a distortion with another distortion made in a different layer.
Showing the backdrop. Showing changes to the target layer without showing the backdrop. Select All Layers from the Use menu. Setting the Opacity to 0 shows only the target layer with the full effects of the Liquify filter. Changing the blending between the target layer and the backdrop. Determining how the target layer and the backdrop are combined in the image preview. Hiding the backdrop. After you distort the preview image, you can use a variety of controls and reconstruction modes to reverse changes or redo the changes in new ways.
Reconstructions can be applied two ways. You can apply a reconstruction to the entire image, smoothing out the distortion in unfrozen areas, or you can use the reconstruction tool to reconstruct specific areas.
If you want to prevent reconstruction of distorted areas, you can use the Freeze Mask tool. Original image B. Distorted with frozen areas C. Reconstructed in Rigid mode using button D. Thawed, edges reconstructed in Smooth mode using tool. Click Reconstruct in the Reconstruct Options area of the dialog box. Then, in the Revert Reconstruction dialog box, specify an amount and click OK.
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